DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are sometimes craving romantics, using this type of variance: Buster appears a plausible mate, and the Tramp hardly appears to possess a libido, only idealized notions. If their comedies had been created in a more liberated time, it is feasible to imagine Keaton in mattress with a lady, but disquieting to think about the Tramp as a sexual bein